Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Two wasvrouwen oil painting


Two wasvrouwen
MK169 ca. 1884 Cloth 76x81.5cm
Painting ID::  42790 		Edgar Degas
Two wasvrouwen
MK169 ca. 1884 Cloth 76x81.5cm
   
   
     
Edgar Degas Women on the terrace oil painting


Women on the terrace
MK169 ca. 1877 Pastel over monotype on paper 40x60cm
Painting ID::  42791 		Edgar Degas
Women on the terrace
MK169 ca. 1877 Pastel over monotype on paper 40x60cm
   
   
     
Edgar Degas Apres Le Bain oil painting


Apres Le Bain
mk183 Signed 77x83cm
Painting ID::  44992 		Edgar Degas
Apres Le Bain
mk183 Signed 77x83cm
   
   
     
Edgar Degas Danseuse Aux Bras Leves oil painting


Danseuse Aux Bras Leves
mk183 Sined Pastel and charcoal on panel 35x26.5cm
Painting ID::  44997 		Edgar Degas
Danseuse Aux Bras Leves
mk183 Sined Pastel and charcoal on panel 35x26.5cm
   
   
     
Edgar Degas The Absinth oil painting


The Absinth
mk186 1876 Paris muse d' Orsay
Painting ID::  45660 		Edgar Degas
The Absinth
mk186 1876 Paris muse d' Orsay
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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